![]() Because if Beyoncé has proven anything over the last two album cycles, it’s that she’s not just a bona fide album artist-she has continuously reworked the very idea of what a long player is. To keep her sectioned off is a tremendous mistake. And yet she is continuously relegated to dominating more “urban” categories, not including her earlier wins for “Best Pop Vocal Performance” (“Halo,” 2009) and Song of the Year (“Single Ladies (Put a Ring On It),” 2010). What, indeed? To date, she’s had three records nominated for the prestigious award, including 2008’s I Am… Sasha Fierce, her 2013 surprise-dropped self-titled and last year’s unmatched Lemonade. What the fuck does she have to do to win Album of the Year?” Even Adele seemed miffed, telling reporters backstage, “I felt like it was her time to win. She deserved it more than Adele (who knew it but accepted her award for 25), she deserved it more than Justin Bieber(?!), she deserved it more than Drake and she deserved it more than Sturgill Simpson (sorry, Sturgill). Let’s get the obvious out of the way: Beyoncé deserved that Album of the Year Grammy.
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